Thursday, October 6, 2011

The San Francisco Fall Antiques Show 2011



I am preparing for the San Francisco Fall Antiques Show which opens with a preview on Wednesday 22nd. October and then runs through Sunday 30th. October.

Here are a few pieces which I will exhibit on my booth Earle D. Vandekar of Knightsbridge.



 One of a Pair of early 17th Century Engravings by John Parkinson.  
One of mosses and lichen and the other of ferns, 
By John Parkinson. 1629. 

 A Charming Pair of Staffordshire Lions, Circa 1820-30
A Superb Large English Pottery Horse from the Leeds factory, Circa 1820-35.


For more information email me 
Paul Vandekar, 
info@vandekar.com

Saturday, September 10, 2011

A Sailor's Woolie of a Thames Barge

A Large Sailor's Woolwork of a Thames Barge, 
circa 1885-1900

Most sailors' woolworks or woolies as they are known depict Royal Navy ships or sometimes they depict a merchant marine vessel.  Rarely are other types of ships depicted.  In this large striking sailor's wool picture, a new addition to my inventory, a Thames barge is depicted under full sail on an unusual zig-zag green sea.  The dimensions are large-25 inches x 35 1/2 inches.

A noticeable feature of the ship are her red sails which were typical of these vessels.  To make a sail more efficient and to prolong its life they are dressed with a mixture of oil (traditionally fish oil), seawater (&/or horse urine if available!) and red ochre. The red ochre is purely a colouring agent, without which the sails would look a dirty grey colour. Sail dressing often had "secret" ingredients.

A large banner reading "Harry & Nellie" plays a strong visual role in the image.  Unfortunately, there is no  vessels registered with that name. Thus I feel it is a form of love token probably the name of the captain and his wife.















A large Sailor's Woolwork or Woolie depicting a Thames barge with its distinct red sails off the coast.


The following information is from  Wikipedia.




A Thames sailing barge was a type of commercial sailing boat common on the River Thames in London in the 19th century. The flat-bottomed barges were perfectly adapted to the Thames Estuary, with its shallow waters and narrow rivers.

The barges also traded much further afield, to the north of England, the South Coast and even to continental European ports. Cargoes varied enormously: bricks, mud, hay, rubbish, sand, coal and grain, for example. Due to the efficiency of a Thames barge's gear, a crew of only two sufficed for most voyages, although by today's standards it would have been hard physical work at times.

The vast majority of barges were wooden hulled (although a significant number were also built in steel), between 80 and 90 feet (25 to 30 m) long with a beam of around 20 feet (6 m). The hull form was as distinctive as their rig, being flat-bottomed with a degree of flair to the sides and plumb ends. The stern was a transom, shaped like a section through a champagne glass, on which was hung a large rudder. The hull was mainly a hold with two small living areas in the bow and stern, and access was through two large hatchways, the smaller before the main mast and a much larger aperture behind.

They were usually spritsail rigged on two masts. Most had a topsail above the huge mainsail and a large foresail. The mizzen was a much smaller mast on which was set a single sail whose main purpose was to aid steering when tacking. The rig also allowed a relatively large sail area on the upper part of the mast, to catch wind when moored ships, buildings or trees blocked wind on the water's surface. Sail areas varied from 3000 to 5000 square feet (300 to 500 m²) depending on the size of the barge. The typical, attractive rusty-red colour of the flax sails was due to the dressing used to waterproof them (traditionally made from red ochre, cod oil, and seawater). No auxiliary power was used originally but many barges were fitted with engines in the later years.

In good conditions, sailing barges could attain speeds over 12 knots, and their leeboards allowed them to be highly effective windward performers. The unusual sprits'l rig allowed any combination of sails to be set: even the topsail on its own could be effective in some conditions.

Saturday, May 21, 2011

The Compton Verney Exhibition Reviewed




A wonderful thoughtful article in the Independent newpaper in England on woolies in a review of a new exhibition in England http://ind.pn/k2KP7p

Here is a link to the gallery guide to the Compton Verney Exhibition.

You can also visit our online article on our web site and visit here to view our our available woolies


Saturday, April 17, 2010

Gems at the Philadelphia Antiques Show

The following items are available on my stand-Earle D. Vandekar of Knightsbridge, Booth 40 at The Philadelphia Antiques Show which runs through Tuesday April 20th.


A Rare Famille Rose Chinese Export Porcelain Tureen, Cover and Stand
decorated with the Horses of the Emperor Mu Wang,
Circa 1750.

Many designs in 18th century Chinese Export porcelain are familiar to us as, for efficiencies of production, patterns were repeated on a regular basis. But occasionally, a design appears that is unfamiliar. This tureen is from such a single service that was made as a special order only. It is painted in a pattern that relates to Chinese mythology referring to longevity and only a few pieces have appeared on the market over the last forty years.


A Chinese Export En Grisaille Plate
painted with a view of Dutch Ships
at Cape Town
with Table Mountain in the Background ,
Circa 1740

One of the rarer European-subjects found on Chinese Export porcelain. This plate with the gilt highlights and depicting Table Mountain in Southern Africa is a rare surviver and a gem.




Friday, April 16, 2010

Chinese Export Shipping Bowl at Philadelphia Antiques Show


This week The Philadelphia Antiques Show opens at the Navy Pier. This great location allows the dealers, including myself, to exhibit some of the best antiques available in America.

Amongst the items I'm exhibiting is this extremely rare Chinese Bowl made for a Swedish sea captain. The Large Punch Bowl is decorated on the outside with eight medallions of a ship in different positions below a garland. All the decoration is en grisaille. A single ship is painted in the interior well.

On the base is a painted inscription reading:

RIT UTI CANTON af D.F. Neuendorf Ano 1780

(Designed in Canton by D.F. Neuendorf in 1780)

Reference: La Porcelain des Compagnies des Indes a Decor Occidental by Francois et Nicole Hervouet for the same bowl where the information provided by The Gotesborgs Historical Museum


Friday, April 9, 2010

Bedford Spring Antiques Show



A Chinese Export Plate decorated with Table Mountain in Southern Africa, Circa 1740

This weekend we are exhibiting in Bedford, New York at the Bedford Spring Antiques Show. This is located at the Rippowan-Cisqua School on route 22 in Bedford a intersection of Clinton Road. This is the show web site .

The preview opens Friday evening 6-9.

The hours of the show are-
Saturday 10-5
Sunday 11-5


A large Chinese Oil Painting of The Sinking of The Alabama, Circa 1865-70


A good number of quality dealers are exhibiting at the show including Jeff Bridgeman american antiques and Bird in Hand Antiques.

Hope to see you there.

Remember the Philadelphia Show is next week.

Wednesday, January 28, 2009

Antiques and the Economic Tsunami

The last three months have been some of the worst the antiques business has experienced in terms of sales and certainly the worst for my business. Buying basically stopped- our turnover was down ninety percent which, as you can imagine, leads one to make some quick and drastic adjustments to survive.

Firstly, we've cut back almost completely on buying. My business is lucky in that we have a large stock and can continue selling without having to go on buying heavily.

Secondly, we've successfully cut back on every cost we could- including canceling some of our upcoming antique shows, particularly those that have a high cost; shows are the largest part of our cost base. So while we can not reduce our costs by ninety percent we are going forward with a significantly lower monthly cost base more closely matched to our new turnover.

My plan for the next six months is to take cash and, thus, stay liquid. If I have a client interested in a piece on my web site or on my stand, I am doing everything I can to make the sale. I look at the cost price to me rather than the marked ticket price. I look at a sale as the start of a path to a lifetime partnership between myself as the dealer and my client as I help them build a collection or help them create a beautiful home; I'm not looking for a victim where I make a killing on one sale. As a business that is fourth generation and in business for over one hundred years that approach has worked well over the last ten decades.

As the New Year arrived, I nervously awaited the cluster of antiques shows which were coming into view. The first was the Washington DC Antiques show two weeks ago and then last weekend The New York Ceramics Fair. And....the atmosphere has changed! Business has not returned to the level of economic activity that we had before September but the panic appears to have gone and buying has begun again. Our clients wanted and got great discounts on items they were considering. We made the sales and our clients got wonderful values and great objects. In fact, I meet a good number of new clients buying from me for the first time and a good percentage were younger clients under the age of forty five.

I have spoken to many dealers at the same shows and at shows like The American Show and The Winter Show in New York and the reports are similar. Those dealers who are willing to work with clients and recognised the change in the market are surviving and will be in good shape for the revival which we will experience later in the year. There are others who somehow seem to think that they can go forward oblivious to the times. I spoke to a folk art dealer in Washington as the show wrapped up and he had done almost nothing in sales. He was insulted that clients were making offers and expecting better prices! I heard that he had a terrible show in New York.

The Palm Beach Antiques and Jewelry Show is my next outing and I am optomistically looking forward to being there. If you would like tickets please email me at info@vandekar.com.